![]() The daywear-narrow coats, the red tweed Principal boy jacket worn by the dog-walker, the knee-length suits and slightly Mod trouser suits-toggled somewhere between the ’80s and the ’60s. The parade was led by Caroline de Maigret, best-selling author of “How to be Parisian Wherever You Are,” owning chic in her long, double-breasted navy tweed coat, hands trust in her pockets. She went about portraying it down to faithfully reflecting the inimitable French beauty standard: perfect-not-perfect, apparently unstyled hair and au naturel makeup. For her graphic Chanel cruise collection Virginie Viard sought inspiration in Provence, that beautiful region in. “Sophistication and simplicity, permanence and beauty” were phrases in her press release. Sans high-flown concepts, jokes, or theatrical gimmicks, her focus is on capturing the essence of Frenchness. Details Front Row Runway Chanel Fall 2014 Couture By Tim Blanks JView Slideshow A huge terrace with a fireplaceit has always been in Karl Lagerfeld's mind as a beautiful idea. There they were, walking nonchalantly in their block-heeled Mary Janes, just as if wearing haute couture to walk the dog or pick up some flowers at the market were most the most normal thing in the world. The complete Chanel Fall 2022 Ready-to-Wear fashion show now on Vogue Runway. It was easy to get swept up in the everyday-idyllic atmosphere of Virginie Viard’s massed stroll of Parisiennes along the Seine. For autumn/winter 2023, the camellia’s influence could be felt. There were at least 97 looks-that's a huge playground-but there was enough tweed to restore Chanel to its core.Couture on the quai, en plein air. The symbol of the flower has also been used throughout Chanel’s history, across ready-to-wear, couture and its packaging. And that degree of comfort with bourgeois dress codes stabilized a collection that spiraled in a dozen directions. The whole show was staged on a single style of shoe, a toe-capped, mid-heeled slingback- ringard in local parlance, because it is so bourgeois, but Lagerfeld loved the poise, the confidence, the ease of walking it gave his models. As a brand renowned for its theatrical runway shows, Alexander McQueen shoes. Kendall kills it in closing the Dolce show, leading the charge in the phenomenal finale. Especially because the collection itself was the strongest RTW showing from Chanel in a while. 2014, a big fat three years before the Triple S. (That was long before it became impossible for him to eat out, because of a selfie-crazed public that wouldn't wait till he'd swallowed his food before they invaded his space.) So this was actually one occasion when the usual, fabulously grandiose concept for a Chanel show stumbled.īut the original idea came from a place of love, so the stumble was easily overlooked. I wanted the girls to look like walking fashion drawings, said Karl Lagerfeld, adding, And I must say, I love. Lensed by Inez & Vinoodh, model Loli-Bahia embodies the CHANEL Fall-Winter 2023/24 Ready-to-Wear collection that celebrates the camellia, an eternal code of. Caveat: The space was simply too vast to communicate the errant charm of a real brasserie, even those as big as La Coupole, Balzar, and Bofinger, all places that Lagerfeld used to frequent when brasseries were crucibles of culture. The Grand Palais, the grandest exhibition space in le tout Paris, was turned into the kind of all-day, leather-banquette-ed winer-and-diner you can find on almost any street corner in Paris. It wasnt exactly a love letterKarl Lagerfeld is much too savvy for sentimentbut the Chanel collection he showed today was, he conceded, 'a vision of France. ![]() So you could almost construe Lagerfeld's last three ready-to-wear collections for Chanel as an uncynical celebration of French banality: the supermarché, the manifestation (does a single day pass without a demonstration?), and now, the brasserie. It wasn't exactly a love letter-Karl Lagerfeld is much too savvy for sentiment-but the Chanel collection he showed today was, he conceded, "a vision of France from a stranger who thinks France is not that bad." He's grown increasingly tired of the drip-drip-drip of cynical negativity, much of it from the French themselves.
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